whistle
did you know me as sampson
the locks between scissor/ appalachian*
sting the knees, or kiss me where i hurt,
your ache gave to me; a random gravel--
lesson from who you never, less
sweet on the after, catch home in a shipswind.
at least the last length i feel, at-last
you measure. a bow in my off hand for the hunt.
30 April 2010
23 April 2010
i'm gonna go spit in y'r eye
for an eye,
i'm gonna eat the rest of y'r--
i'm gonna papa bear,
i'm gonna mama bear,
i'm gonna baby you through jr high.
i'm gonna file for a tax extension,
i'm gonna delete that email
about penis extension,
i'm gonna.
i'm gonna put this ring around your
rosie,
i'm gonna sing you
a song to sing,
i'm gonna leave the oven on,
i'm gonna tell you when to turn,
for an eye,
i'm gonna eat the rest of y'r--
i'm gonna papa bear,
i'm gonna mama bear,
i'm gonna baby you through jr high.
i'm gonna file for a tax extension,
i'm gonna delete that email
about penis extension,
i'm gonna.
i'm gonna put this ring around your
rosie,
i'm gonna sing you
a song to sing,
i'm gonna leave the oven on,
i'm gonna tell you when to turn,
nod
you call it thin ankles in trees
bend the branch or, trunk to heel,
i sleep with my arm around your--
measuring the eyes by eyes, see.
you might notice that i am indifferent
unless i am intoxicated, or in love.
my bed on this side or, your bed over there;
i can see you with my eyes closed.
you mention there is this point, that
becomes another & so on, talking,
while your hands move about.
you call it thin ankles in trees
bend the branch or, trunk to heel,
i sleep with my arm around your--
measuring the eyes by eyes, see.
you might notice that i am indifferent
unless i am intoxicated, or in love.
my bed on this side or, your bed over there;
i can see you with my eyes closed.
you mention there is this point, that
becomes another & so on, talking,
while your hands move about.
21 April 2010
word of mouth
old bones in the morning, creek run
tells a finger, scratch sleep from y'r beard
never let the water; never let it
grow the swelling wood ten times, larger
tooth & bloated tongue, you need that drink
to keep saying what you hope--
watch your scalp run out, by
the torrent of hand-grabs, a flea
marked by the gravy, no that's deeper
takes your baby & names it godawful
to keep the music turned down enough.
old bones in the morning, creek run
tells a finger, scratch sleep from y'r beard
never let the water; never let it
grow the swelling wood ten times, larger
tooth & bloated tongue, you need that drink
to keep saying what you hope--
watch your scalp run out, by
the torrent of hand-grabs, a flea
marked by the gravy, no that's deeper
takes your baby & names it godawful
to keep the music turned down enough.
20 April 2010
19 April 2010
18 April 2010
16 April 2010
fire escape
pleasantly reminded of the meat on your bones,
i take swelled bites of the nodding neck.
you call me, say wanderer in farmer form,
always aware of my chaucered tone.
abbreviated speech from the speaking teeth,
lick my wounds with a silent tongue.
i grab for white powder, or the novacaine hose,
filter whats left in the urn down a drain.
there are no more homes where i used to be born
somwhere upstream i made a wrong turn
& your rocks gashed the bottom of my boat.
pleasantly reminded of the meat on your bones,
i take swelled bites of the nodding neck.
you call me, say wanderer in farmer form,
always aware of my chaucered tone.
abbreviated speech from the speaking teeth,
lick my wounds with a silent tongue.
i grab for white powder, or the novacaine hose,
filter whats left in the urn down a drain.
there are no more homes where i used to be born
somwhere upstream i made a wrong turn
& your rocks gashed the bottom of my boat.
savior
i try to exist, to burn these eyebrows,
edit where you were born, or
how tall are the bones in your arms.
skin is a fur hide, shady dealers
lend me their ears--
a man is there,
he watches with the light on
as you take off your dress,
& this is why he says he loves you.
postcard with a picture of some random
art museum.
i hate when i know these things.
i try to exist, to burn these eyebrows,
edit where you were born, or
how tall are the bones in your arms.
skin is a fur hide, shady dealers
lend me their ears--
a man is there,
he watches with the light on
as you take off your dress,
& this is why he says he loves you.
postcard with a picture of some random
art museum.
i hate when i know these things.
15 April 2010
13 April 2010
a poem about turkeys
marred in the arms where they mar,
take these turkeys to market.
take these turkeys by the arm,
they don't know where the brass comes--
sure i have two eyes to eye them
or i, two eyes to spare
seldom my shoulders support the earth,
or the globe i lay on supports the air.
these turkeys will know where i met them,
or in the next life where we meet,
remember i met them there.
marred in the arms where they mar,
take these turkeys to market.
take these turkeys by the arm,
they don't know where the brass comes--
sure i have two eyes to eye them
or i, two eyes to spare
seldom my shoulders support the earth,
or the globe i lay on supports the air.
these turkeys will know where i met them,
or in the next life where we meet,
remember i met them there.
04 April 2010
absurdity in death, a jest
we move because we are going, too
much distance for a vast universe
expands between your mouth &
the thing that makes your mouth--
move down a line for years, say
these are years in definite.
i am partial, because my mother or
my father can screw.
going somewhere with this,
i will always be going somewhere,
with this.
we move because we are going, too
much distance for a vast universe
expands between your mouth &
the thing that makes your mouth--
move down a line for years, say
these are years in definite.
i am partial, because my mother or
my father can screw.
going somewhere with this,
i will always be going somewhere,
with this.
01 April 2010
story
a story you call a poem where there are gods
in one hand, but nothing in the other.
we clap a lot to encourage, look at these
apes, slapping their right to left. how smart
are we to notice. my aunt knows our president
is a muslim because it matters to her. she's scared.
but this poem isn't about my scared aunt.
it's about numerous gods who tell us things in our sleep.
a story you call a poem where there are gods
in one hand, but nothing in the other.
we clap a lot to encourage, look at these
apes, slapping their right to left. how smart
are we to notice. my aunt knows our president
is a muslim because it matters to her. she's scared.
but this poem isn't about my scared aunt.
it's about numerous gods who tell us things in our sleep.
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