sweater poem
i bought this sweater
because i
fell in love with you
it cost me 70$
& does not even keep me warm
unless i wear it
in the summer.
24 August 2010
20 August 2010
19 August 2010
untitled
for title
in silence the silence finds
it's noise
or my voice is made by teeth
& the flesh i bite
calling the sound gnashing &
raspberry spit/split
the lickity of traveling so far
when my throat can vibrate
i say "simple"
in that way
how i feel
how the crater in my torso
actually feels
vibrating into message of--
that i can't translate
in any real word
so i pretend your ears, painfully
soft
grating into the build of my skeleton
yes
the whole thing
can hear
for title
in silence the silence finds
it's noise
or my voice is made by teeth
& the flesh i bite
calling the sound gnashing &
raspberry spit/split
the lickity of traveling so far
when my throat can vibrate
i say "simple"
in that way
how i feel
how the crater in my torso
actually feels
vibrating into message of--
that i can't translate
in any real word
so i pretend your ears, painfully
soft
grating into the build of my skeleton
yes
the whole thing
can hear
18 August 2010
poem
for face
dont know her or knew her for
just half a day
the way the unknown curls around
a straight part of head hair
then the bending
where you did not know could bend
say money does this
or the kissing words that hold
around the nothing known
until you realize what it is
keeping you up late at night
trying to bring her closer
w/ words only
feel her face form in language
say this is chin
& put your thumb over it
to see again.
for face
dont know her or knew her for
just half a day
the way the unknown curls around
a straight part of head hair
then the bending
where you did not know could bend
say money does this
or the kissing words that hold
around the nothing known
until you realize what it is
keeping you up late at night
trying to bring her closer
w/ words only
feel her face form in language
say this is chin
& put your thumb over it
to see again.
16 August 2010
13 August 2010
11 August 2010
10 August 2010
09 August 2010
06 August 2010
05 August 2010
04 August 2010
03 August 2010
02 August 2010
01 August 2010
24 July 2010
22 July 2010
17 July 2010
16 July 2010
15 July 2010
12 July 2010
softer
maybe grass isn't a garden here,
greener in the roll-around
but my isn'ts just go sometimes
at the walking you walk, or
grass seems greener on my pant's knees--
sleep/wake, cold rooftop gardens.
away from the mouth you command
the night to carve a poem into us:
the stars you said
would be there
& my hands--
maybe grass isn't a garden here,
greener in the roll-around
but my isn'ts just go sometimes
at the walking you walk, or
grass seems greener on my pant's knees--
sleep/wake, cold rooftop gardens.
away from the mouth you command
the night to carve a poem into us:
the stars you said
would be there
& my hands--
10 July 2010
08 July 2010
07 July 2010
01 July 2010
28 June 2010
27 June 2010
25 June 2010
24 June 2010
21 June 2010
slip, slip,
maybe i am a piece of your face
when you remember me; a small boy under
these skins & beard, a devil hugging every inch;
feeling much like water
cooling whatever loneliness i can find.
i'm smiling sometimes
is what you don't see. helpless
to what you miss about
when i told you how i feel
or the other times
that i said anything.
maybe i am a piece of your face
when you remember me; a small boy under
these skins & beard, a devil hugging every inch;
feeling much like water
cooling whatever loneliness i can find.
i'm smiling sometimes
is what you don't see. helpless
to what you miss about
when i told you how i feel
or the other times
that i said anything.
19 June 2010
vandal
can hear bugs drop from the window
thudding against the floor in the dark
my blood under naked leg seems delicious but
they don't want that--
left teeth marks on my neck i made up
where the sex really is
exciting like my hands can be
wandering through your rows
breaking off milkweed plants
along the canal
until we get to the iron bridge.
can hear bugs drop from the window
thudding against the floor in the dark
my blood under naked leg seems delicious but
they don't want that--
left teeth marks on my neck i made up
where the sex really is
exciting like my hands can be
wandering through your rows
breaking off milkweed plants
along the canal
until we get to the iron bridge.
14 June 2010
deer
the apples in my palms don't float, or
i'm just a bad swimmer kid.
dark colors make you a shiny bit,
spider arms lay down a long stick
dangle over me with my mouth; open
dream you'd just let me go
stand on the other side of the river
without any clothes on; sailing.
maybe keep my pants up
because knees look funny
when they buck.
the apples in my palms don't float, or
i'm just a bad swimmer kid.
dark colors make you a shiny bit,
spider arms lay down a long stick
dangle over me with my mouth; open
dream you'd just let me go
stand on the other side of the river
without any clothes on; sailing.
maybe keep my pants up
because knees look funny
when they buck.
13 June 2010
12 June 2010
long branch
but i didn't watch the tornado break,
or the van with all those antenna on it--
you said i could last,
but different points on my skin are starting to
rub off.
friends from high school come by to remember me,
& that's nice too.
but the shaking of where the joints
take up &
are thrown into the next county
makes me realize what comes next.
but i didn't watch the tornado break,
or the van with all those antenna on it--
you said i could last,
but different points on my skin are starting to
rub off.
friends from high school come by to remember me,
& that's nice too.
but the shaking of where the joints
take up &
are thrown into the next county
makes me realize what comes next.
dance
taste the coin in the vein, someone
said you could change out the useless
parts for parts you can see from down the block,
the inward curve
of your rib & hip
where my head fits perfectly into
& can smell where you might have been
the past few days
wandering
around in the wooded areas or
where ever you go with your light steps.
taste the coin in the vein, someone
said you could change out the useless
parts for parts you can see from down the block,
the inward curve
of your rib & hip
where my head fits perfectly into
& can smell where you might have been
the past few days
wandering
around in the wooded areas or
where ever you go with your light steps.
11 June 2010
invention
edge of the chair cuts off circulation in your legs
these are my legs that get puffy with blood in them
when you walk it feels funny, numb parts hurt
& that doesn't make any sense
needles dig past your teeth into those
pink gums
you can smile now
the easy part has already been done
& you know
when they touch your face to make freckles
i get weak.
edge of the chair cuts off circulation in your legs
these are my legs that get puffy with blood in them
when you walk it feels funny, numb parts hurt
& that doesn't make any sense
needles dig past your teeth into those
pink gums
you can smile now
the easy part has already been done
& you know
when they touch your face to make freckles
i get weak.
09 June 2010
soft parts
write down oh my gods in a sequence
like, oh my god more than one god
you used to call, or what name you
used to say was me, say me again
i forgot that i love you is all, is in it--
invite me down to your apartment for
a kiss; what we want is awful
or what we want is all for the friendship,
so i kiss you
& write words on your hip
about why i remember things.
write down oh my gods in a sequence
like, oh my god more than one god
you used to call, or what name you
used to say was me, say me again
i forgot that i love you is all, is in it--
invite me down to your apartment for
a kiss; what we want is awful
or what we want is all for the friendship,
so i kiss you
& write words on your hip
about why i remember things.
07 June 2010
lumber
press the bark against words still
in your neck; rough the feathers or
sweat smear on roughneck leathers
to find a softer word for bark
& listen to the wrong tree make
sounds of barking up it. then
soft birds fall onto a bed of feathers
when your speaking became an axe
with out asking if it was the wrong tree
or thinking to check
for birds in it.
press the bark against words still
in your neck; rough the feathers or
sweat smear on roughneck leathers
to find a softer word for bark
& listen to the wrong tree make
sounds of barking up it. then
soft birds fall onto a bed of feathers
when your speaking became an axe
with out asking if it was the wrong tree
or thinking to check
for birds in it.
05 June 2010
gambling with effort
a apple chin, an apple us mash
the ferment sister pair, or does it slice the seed
you chew them easily as if your molars
dig,
beneath the tree that lays, i sleep about your name--
walk down the row when sun rain comes
for the friends you thought you hid, your naked parts;
maybe clay is a shapeless; mole it--
or the fatty part of your upper leg
that leaves the imprint,
& my jeans.
a apple chin, an apple us mash
the ferment sister pair, or does it slice the seed
you chew them easily as if your molars
dig,
beneath the tree that lays, i sleep about your name--
walk down the row when sun rain comes
for the friends you thought you hid, your naked parts;
maybe clay is a shapeless; mole it--
or the fatty part of your upper leg
that leaves the imprint,
& my jeans.
03 June 2010
out of--
& i spelled that wrong
& i can call you any time in the a.m.
even if it mutes dawn, or an age & i
crave the warm rain & i
know the neck of you & i
map out each one & i fret the rock formations
& i smell the gaps of us
& i put my cheek next to the silhouette on the wall
or i--
make up words about you,
& i say:
& i spelled that wrong
& i can call you any time in the a.m.
even if it mutes dawn, or an age & i
crave the warm rain & i
know the neck of you & i
map out each one & i fret the rock formations
& i smell the gaps of us
& i put my cheek next to the silhouette on the wall
or i--
make up words about you,
& i say:
off shore; oh
followed the filling out of your
parts, notice the depth around grin craters
convex to the hollow hands, where round things
roll off when the window is open,
because the mold is growing black
& needs to be dried out, so it rains--
take you behind the backyard tree
to say:
i will pick up the dust of your bones
with my finger
tips.
followed the filling out of your
parts, notice the depth around grin craters
convex to the hollow hands, where round things
roll off when the window is open,
because the mold is growing black
& needs to be dried out, so it rains--
take you behind the backyard tree
to say:
i will pick up the dust of your bones
with my finger
tips.
hairy ass
the speed of my ambulance to your
ambulance takes time,
but i wasn't even alive for a long time
before i became, say ambulance.
hey, where did your teeth go,
don't worry, these things grow back; happen.
or locked in that cabin, maybe what it was,
thinking about the height of us,
strapped down to the bed covered in sweat,
while those tan people
laughed at things.
the speed of my ambulance to your
ambulance takes time,
but i wasn't even alive for a long time
before i became, say ambulance.
hey, where did your teeth go,
don't worry, these things grow back; happen.
or locked in that cabin, maybe what it was,
thinking about the height of us,
strapped down to the bed covered in sweat,
while those tan people
laughed at things.
02 June 2010
turn
polished broad, rub the soft parts of my feet
along your neck, hey grape ape,
maybe your apple will be; say we try this
again; maybe your apple will be apples.
know that when i might have kissed you,
small hairs on your wrist
the color of dust
stand up, dancing in the dark corner
of whatever room
we might have been in for
whatever reason.
polished broad, rub the soft parts of my feet
along your neck, hey grape ape,
maybe your apple will be; say we try this
again; maybe your apple will be apples.
know that when i might have kissed you,
small hairs on your wrist
the color of dust
stand up, dancing in the dark corner
of whatever room
we might have been in for
whatever reason.
arizona
brace yourself from the teeth; smiling
when the magic actually works, on us
forget to blink or eat the wind, bye bye
pass us through each pore, out one
body made of fleshy greens & in
the other,
carve the butter from fat baby arms,
fat lady arms break off in water,
but when all these movements
move
you,
brace yourself from the teeth; smiling
when the magic actually works, on us
forget to blink or eat the wind, bye bye
pass us through each pore, out one
body made of fleshy greens & in
the other,
carve the butter from fat baby arms,
fat lady arms break off in water,
but when all these movements
move
you,
28 May 2010
know it
maybe drink more water than empty belly,
let you touch my thighs like he does,
carve the history of a wild tree,
lady i could name all of these forests
with my sharper teeth, choice for the sex
or i didn't know what kind of boy i would be
before my girl hands said, ya know
maybe we could be manly man hands
& i took a hammer
to mend
them.
maybe drink more water than empty belly,
let you touch my thighs like he does,
carve the history of a wild tree,
lady i could name all of these forests
with my sharper teeth, choice for the sex
or i didn't know what kind of boy i would be
before my girl hands said, ya know
maybe we could be manly man hands
& i took a hammer
to mend
them.
gumming a cold thing
& then you read a poem
because or, because not enough of a reason,
don't get it,
but you like it so, you love this man,
cute in the teeth,
or those jaws talk funny-- speak,
but it peaks in the right places,
feels good on my fingers, lickin'
& you read the poem he writes, right?
well enough
to get it. turning out to be--
& then you read a poem
because or, because not enough of a reason,
don't get it,
but you like it so, you love this man,
cute in the teeth,
or those jaws talk funny-- speak,
but it peaks in the right places,
feels good on my fingers, lickin'
& you read the poem he writes, right?
well enough
to get it. turning out to be--
lessons
a beach or where i stay for ever,
you say that might be a long time--
it's cold but the gull seems to like it,
pelican, im loose for the perfect world
or i could be smart, i sound like a smart
person, find yourself obese in a bathing suit,
because it stretches, the pockets look like--
bigger pockets, pools of pockets & empty
the way drowning victims
think they can do anything
the day before.
a beach or where i stay for ever,
you say that might be a long time--
it's cold but the gull seems to like it,
pelican, im loose for the perfect world
or i could be smart, i sound like a smart
person, find yourself obese in a bathing suit,
because it stretches, the pockets look like--
bigger pockets, pools of pockets & empty
the way drowning victims
think they can do anything
the day before.
27 May 2010
farming
it is important, can we agree to do--
making a point to, point to do.
walk & walk, say things like:
i am tired of all this silly walking,
maybe i could just sit, live sitting,
make a living out of all this ground,
play for awhile in your dirty, get dirty,
feel the darker dirt thick in the nails,
& then someone tells you
that you smell good,
like growing things.
it is important, can we agree to do--
making a point to, point to do.
walk & walk, say things like:
i am tired of all this silly walking,
maybe i could just sit, live sitting,
make a living out of all this ground,
play for awhile in your dirty, get dirty,
feel the darker dirt thick in the nails,
& then someone tells you
that you smell good,
like growing things.
cat poem
by the way your small girl legs skinny through
an awkward short or two, sand covered
a beast for each cat you name, slay one
or notice why the pope is framed above us.
i could spend more time watching you from behind
in small rooms, or feel a sunburn cool,
because i laugh when you say: swear words--
fly my plane across africa again, & again.
would risk my ankles
to see you,
in my driveway.
by the way your small girl legs skinny through
an awkward short or two, sand covered
a beast for each cat you name, slay one
or notice why the pope is framed above us.
i could spend more time watching you from behind
in small rooms, or feel a sunburn cool,
because i laugh when you say: swear words--
fly my plane across africa again, & again.
would risk my ankles
to see you,
in my driveway.
shotgun
dangerous names i say, hello lady
or by the way i was with, with it
greener but it smells olive drab,
taste the small tomato later, when
we aloped in southern indiana
by a statue of military savants, i joked
about the laws that we could break,
smoking things before we say
words like, for sick &
i bet
you never saw me again.
dangerous names i say, hello lady
or by the way i was with, with it
greener but it smells olive drab,
taste the small tomato later, when
we aloped in southern indiana
by a statue of military savants, i joked
about the laws that we could break,
smoking things before we say
words like, for sick &
i bet
you never saw me again.
26 May 2010
angeles
small sexless boy thing dangles in sun beams, you
look at stars & feel silly for an open mouth on you.
why the 'comes out's don't sound angelic; a bathrobe
meant to be tied, blue but darker blue when wet,
or white skin looks fat when you fold, pretty like
groove the small blonde hairs together to fur it.
send telepathic e-mails to the brain accounts
of simple minded hunter-gatherer types, maybe laugh &
let the message kindle
while you take jerk-motion steps
through the air.
small sexless boy thing dangles in sun beams, you
look at stars & feel silly for an open mouth on you.
why the 'comes out's don't sound angelic; a bathrobe
meant to be tied, blue but darker blue when wet,
or white skin looks fat when you fold, pretty like
groove the small blonde hairs together to fur it.
send telepathic e-mails to the brain accounts
of simple minded hunter-gatherer types, maybe laugh &
let the message kindle
while you take jerk-motion steps
through the air.
21 May 2010
open
take out the bones to skull
them; make your naked parts feel nude.
do not deliberately watch-- nipple hang
inches above the cloudy bath water,
notice your neck curl around my wrist or
so the blood stays, room temperature palm
rough from the working & dead when it digits.
count the times: heel was a signal,
leave the sock on when i sex you.
i am going to say that again,
when--
take out the bones to skull
them; make your naked parts feel nude.
do not deliberately watch-- nipple hang
inches above the cloudy bath water,
notice your neck curl around my wrist or
so the blood stays, room temperature palm
rough from the working & dead when it digits.
count the times: heel was a signal,
leave the sock on when i sex you.
i am going to say that again,
when--
snow
an arm of tree shadow dangle
bird peck through seed of skin
bent over autumn sky wing deep
thick curly beard for the knowing
but in the know breaks each twig
scare off the mother so we dine
blue jay face pecks the shell free
making a feast of neighbors babies
or the new moon says things like
i forgot
your name, bite then.
an arm of tree shadow dangle
bird peck through seed of skin
bent over autumn sky wing deep
thick curly beard for the knowing
but in the know breaks each twig
scare off the mother so we dine
blue jay face pecks the shell free
making a feast of neighbors babies
or the new moon says things like
i forgot
your name, bite then.
16 May 2010
falcon
old folky baby, talk this way, humming
when you're naked, let me see you shine.
heave the dead brush through the air,
a pick up truck full of things we picked up.
tell the kids you put too much sugar in their drinks,
ask them how old they are on their birthday.
so the broke neck turns finally caught you
by the hems of your sewed pants elastics.
know that the leather seat is skin
or that it sticks to you the way
my words cannot.
old folky baby, talk this way, humming
when you're naked, let me see you shine.
heave the dead brush through the air,
a pick up truck full of things we picked up.
tell the kids you put too much sugar in their drinks,
ask them how old they are on their birthday.
so the broke neck turns finally caught you
by the hems of your sewed pants elastics.
know that the leather seat is skin
or that it sticks to you the way
my words cannot.
13 May 2010
rose
maybe i'm sorry, or maybe it's too late
baby,
can i just coach you this time, can i just say
hey let me in,
maybe i bet too much on me,
or maybe i forgot to bet too much on me, me
keep questions in the question box
or who is next in the question box, to box
maybe i should just be liked & thanked for being
too sure of a sure thing, or
maybe i was just too damn good in the first place.
maybe i'm sorry, or maybe it's too late
baby,
can i just coach you this time, can i just say
hey let me in,
maybe i bet too much on me,
or maybe i forgot to bet too much on me, me
keep questions in the question box
or who is next in the question box, to box
maybe i should just be liked & thanked for being
too sure of a sure thing, or
maybe i was just too damn good in the first place.
12 May 2010
09 May 2010
06 May 2010
season
my father was always poor & is,
or is always. as am i. she says
that i am boyish, refering to my hands.
my poor hands. i wonder how long i will remain:
boyish, or if i can come to terms with--
my grandfather, or his father was once
boyish as well, in the face or with no hair
in places that boys are sometimes surprised
to find things suddenly appear
the way turkeys jump out of tall grass
when you shoot at them with your hands.
my father was always poor & is,
or is always. as am i. she says
that i am boyish, refering to my hands.
my poor hands. i wonder how long i will remain:
boyish, or if i can come to terms with--
my grandfather, or his father was once
boyish as well, in the face or with no hair
in places that boys are sometimes surprised
to find things suddenly appear
the way turkeys jump out of tall grass
when you shoot at them with your hands.
arms poem
my arm is a part of my fathers arm
so on, they are all partially arms.
all arms are partially your arms
which is why, or why we are at arms.
the length of an arm at arms length
measures distance from my arm to my other arm.
my arm, partial in arm, connects
to the other part of my arm on my arm.
they work this way in unison
one arm around your waist, the other too,
while we dance slowly, listening to nothing.
my arm is a part of my fathers arm
so on, they are all partially arms.
all arms are partially your arms
which is why, or why we are at arms.
the length of an arm at arms length
measures distance from my arm to my other arm.
my arm, partial in arm, connects
to the other part of my arm on my arm.
they work this way in unison
one arm around your waist, the other too,
while we dance slowly, listening to nothing.
bike poem
your lips, or i told you to see those
lips of yours, rolling on bicycle wheels.
i tend to tend to those lips
but did i mention or mean to, mean
a partial description of your parting lips
around these partially parted parts
a gear crank costs me so much money
did i tell you that, to those lips
for your bike part to be a part, partially
to part with my lips, i call mine
because i have stolen them from your face.
your lips, or i told you to see those
lips of yours, rolling on bicycle wheels.
i tend to tend to those lips
but did i mention or mean to, mean
a partial description of your parting lips
around these partially parted parts
a gear crank costs me so much money
did i tell you that, to those lips
for your bike part to be a part, partially
to part with my lips, i call mine
because i have stolen them from your face.
01 May 2010
birthday
molest an idea of your creation, bone in his chests chest--
just because i gnaw on your bones
does not mean there was once meat here.
i expect there to be far more provisions in my next lifes life--
if i remember your name then, i will kiss the word
where ever i see it.
i am too far in to what i am going to die for; my death,
a small place on your neck to rest in.
& sheppards were warned i would be there--
so that i might comfortably die again,
smoother than the entrance,
or why i begin to find mirrors to remember me,
changing more frequently than this slow earth
despite hearing constantly when it will die, & when it was born.
but it sits in the sunlight for millions of years
while we effortlessly move up & down by the moon.
molest an idea of your creation, bone in his chests chest--
just because i gnaw on your bones
does not mean there was once meat here.
i expect there to be far more provisions in my next lifes life--
if i remember your name then, i will kiss the word
where ever i see it.
i am too far in to what i am going to die for; my death,
a small place on your neck to rest in.
& sheppards were warned i would be there--
so that i might comfortably die again,
smoother than the entrance,
or why i begin to find mirrors to remember me,
changing more frequently than this slow earth
despite hearing constantly when it will die, & when it was born.
but it sits in the sunlight for millions of years
while we effortlessly move up & down by the moon.
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